The Art of Choosing Your Readers

By Persia Walker

Writers need and want to have feedback. It's an important part of the process, that process of polishing and rewriting that can make even the boldest, most disciplined writer cringe. And it's the part where family, friends, acquaintances and sometimes even strangers can become an integral part of the "writer's team."

When people think about a writer's team, they often think of the agent, editor, contract attorney or publicist. Not many think of those individuals who step back and let a writer write when he needs to be writing, and step forward when he not only needs support but supportive critique. Few think about the readers, the guinea pigs, the brave souls who agree to set aside valuable time, read (or re-read) an unfinished work, and share their unvarnished opinion.

There is an art to choosing readers. There are questions to be asked. "Does this person read a lot? Does he read books in my genre? Have a discerning mind? Does he possess strong analytical skills and is he able to give solid constructive criticism? Is analysis one of his strengths to begin with? Is he astute enough to recognize my 'voice' when reading my work, and believe in me well enough not to think I should sound like someone else?"

Your circle of readers should include people who share your socio-economic background, profession, or tastes, whether it be in literature, sports, or ice cream. But the circle must also include those who differ from you significantly. The first group can provide critique from the point of view of those "in the know." The second can give you insight into the universality of your story.

I recently read a remarkable manuscript about a young girl of mixed heritage who is growing up under strict parentage in the Caribbean. Before passing it to me, the writer had given the manuscript to a reader who is white and Irish. The reader said she identified with the main character's struggle for personal development because it reflected issues that she too had faced, issues that surpassed ethnicity, nationality and geographic location. "It made me feel very good that she connected (with the story) in so many ways," the writer said. She also handed her story to a male reader, who saw enough of the human story in it to enjoy it and not simply dismiss it as "women's literature."

So try to have a diverse group of readers. It's good to have at least three; better to have four. After all, people do get busy. The most important thing is to have people who really do love to read, who are passionate about it, and to have people who respect and support your efforts as a writer. Please avoid naysayers and dream-killers.

All of this sounds obvious, doesn't it? The need to have readers and how to choose them. But over at Gentle Pen, we've been surprised at how little thought some writers put into selecting their readers. They haphazardly ask spouses, parents, folks they've run into. The results can be disappointing at best, hurtful and damaging at worst. So think before you ask someone to read your work and choose wisely.

Persia Walker, a former news writer for The Associated Press, is the award-winning author of HARLEM REDUX and DARKNESS AND THE DEVIL BEHIND ME. Visit her online at http://www.persiawalker.com

She is also senior editor at Gentle Pen Editorial Services http://www.gentlepen.com

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